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Product Detail |
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Audio Format: Dolby Digital 5.1 Surround Video Format: Fuller Screen 4:3 Languages: Russian, English Subtitles: English, Korean, Russian Region Code: 3 Year Made: 1985 Running Time: 136 / 60
 "Come and See" tells the story of a young boy named Florya (Alexei Kravchenko) who longs to help defend his small Russian village of Byelorussia from the invading Nazis. The first scene sets the tone for the entire film: He digs through the unmarked graves of dead soldiers to find an operable gun. When he does, he bravely marches off to be with the other troops. Yet fate leaves Florya behind. Another soldier needs new boots and Florya's are sacrificed so that the more experienced man can go on the march.
Florya finds himself left behind with a strange and beautiful girl named Glasha (Olga Mironova). The pair camp out in the woods until Nazi bombs begin to fall, damaging Florya's hearing. From then on, the dazed and confused Florya bounces from place to place finding increasingly horrible death and destruction. In one scene, he attempts to steal a cow for food for the rebels, but gets caught in a siege. As he lies on the ground, we see the bullets zipping overhead in streaks of red. Both Florya's partner and the cow take fatal hits, forcing Florya to spend the night in the field. When he wakes up, the Nazis will have arrived.
Director Elem Klimov was a veteran filmmaker whose career began in the late '50s and ended with "Come and See." He avoids overuse of dialogue (getting a lot of mileage out of Florya's damaged hearing by using a slightly muted soundtrack), concentrates on the depth of frame, rather than width and height, and uses young Kravchenko's face to extraordinary advantage. Kravchenko visually ages over the course of the film, even though we can assume it's only been a matter of days or weeks. His forehead wrinkles in horror and despair and his eyes change from hopeful to sad to utterly vacant. Klimov ends the film with this face, and it, above all the other horrors, haunts "Come and See."
Klimov understands that 142 minutes of horror is a lot to take and gives us a few breaks. In one incredible scene, Florya and Glasha bathe by shaking the raindrops from high tree branches. And I have to admit, the red streaks against the twilight sky were as beautiful as they were horrible. Klimov does resort to using newsreel footage in the film's final minutes, adding that 628 villages similar to Byelorussia were destroyed by the Nazis.
Though he ends with these bits of reality, "Come and See" succeeds through its use of nightmarish un-reality -- how we might see these events not through a documentary objectivity, but through an uncomprehending gaze of horror. This is the real thing, undiluted to the point that a hundred "Pearl Harbors" couldn't add up to a frame of it.
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